In the vast nation of China.docx
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In the vast nation of China.docx
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InthevastnationofChina
RewriteInthevastnationofChina无锡惠山被誉为四千年华夏文化WuxiHuishan,birthedinJiangnanWaterVillage在江南水乡孕育的一枝独秀outshinesothersinthefourthousand-yearChineseculture而惠山脚下的山泥Moreover,HuishanClayfigurinesisalltreasurespreads更是造就了流传千古的艺术佳品throughtheagesoftheartmarket有诗赞曰Thereisapoemsaid惠泉山下土如濡ClayintheHuiquanMountainiswispyandglutinous阳羡溪水米胜珠riceintheYangxianbrookisbrightandsmooth勤劳聪明的无锡人ThediligentandintelligentWuxipeople正是利用这些颗粒纤细usethiskindofblack-brownclayfor10黏性极佳的黑褐色山泥itsfineparticlesandexcellentadhesion捏出了一个个形态独特tocreateHuishanclayfigurineswithuniqueform寓意丰富的艺术珍品—惠山泥人andrichimplication作为代表无锡品牌的无锡塑彩艺术Torepresenttheartofpaintedsculpture惠山泥人在我国的民间工艺发展史上theclayfigurineplaysanimportantrole占有着重要的地位inthedevelopmentofChinesefolkcraft半个多世纪以来aroundtheworldoverhalfacentury惠山泥人作品Huishanclayfigurines凭借它色彩鲜艳悦目knownasoneofbestOrientalartforms造型生动传神风格特征别致arenotonlyoneofthefavoredfolkarts20品种十分丰富等特点inChinaforitsbrightcolorvividimage不仅深受人们的喜爱更远销62个国家和地区anduniquestylebutalsoexported被誉为最具有东方色彩的艺术之一to62countries惠山周边泥人店铺鳞次栉比聚店成市TheclayfigurinesshopsaboundinHuishan周边的居民几乎人人会做泥人almosteveryonethereknowshowtomakeclayfigurines越来越多地出现在Theclayfigurinesareincreasinglybeingseeneverywhere人们的社会活动和娱乐中inpeople’slifeandentertainment成为了炙手可热的艺术佳品Beingthehottestart惠山泥人曾经有过她的鼎盛时代Huishanclayfigurineshasitspeaktime!
时光荏苒岁月如梭Timeflies,timeflies30随着经济的飞速发展withtherapideconomicdevelopment现代化社会的到来withtherapideconomicdevelopment人们的物质文化生活people’smaterialandculturallifeincreasinglytendsto日趋高节奏多元化fast-pacedandmorediversified丰富的国内外新兴艺术Theplentifulnewly-risingarts铺天盖地的涌现springupsooverwhelmingly使得民俗工艺的魅力thatthecharmoffolkart渐渐在人们心中淡化isslowlyfadingoutfrompeople’slife老艺人们日渐凋零astheoldartistsdecreasing老的工艺得不到传承thetraditionalskillsnotbeinginherited40创新就更困难重重whichmakestheinnovationfullofdifficulties在这种情势下Insuchconditions惠山泥人工艺的传承theinheritanceofHuishanclayfigurines走到了十字路口hascometoacrossroads时至今日已鲜有艺人Therearefewartists在泥人身上willingtopourtheirheavyshareofthe倾注他们的浓浓乡情nostalgiaintotheclayfigurinesbynow在这样的情势下Insuchconditions有一位老人走进了我们的眼帘anoldpeoplestandsout她是中国工艺美术大师sheisthemasterofChineseartsandcrafts50她不仅传承了师傅巧夺天工的技艺Shenotonlyinheritsthewonderfulskillfromherteacher更用自己的作品延续了butalsopushesthelineageandinnovationof手捏戏文的文化传承与创新“kneadthedramatext”artwithheramazingworks她用自己的一生Shespendsherwholelifetopaintabrightfuture为世人勾画出泥人发展的美好前景forclayfigurines’development她就是喻湘莲SheisYuXianglian喻湘涟1940年出生无锡人YuXianglian,bornin1940,Wuxi出生于江苏无锡泥人世家YuwasbornintoafamilyofJiangSuWuxiclayfigurines是著名艺人蒋三元的曾外孙女thegreat-grandchildofthefamousartistJiangSanyuan她潜心钻研Shestudieswithgreatconcentration60集各家之长learningfromothersandintegratethemfrom融会贯通eachotherwhichcarriestheuniquelocalstyle继承发扬了惠山泥人的地方风格ofHuishanclayfigurinesforward作品多次入选国内外Herworkshavebeenchosenintoartexhibitionshome各级工艺美术展览多次获奖andabroadformanytimesandgainedagreatmanyhonors修复历史作品达到修旧如旧Thehistoricalworksrestoredbyherarealmostthesame以假乱真的境地astheyusedtobeandcanbereachedconfusedasrealones作为国家培养起来的艺术家Astheartistscultivatedbythecountryshehasbeen1993年获得awardedthetitleof“ThemasterofChinesearts中华人民共和国轻工部授予的andcrafts“bythenationalMinistryof70中国工艺美术大师称号LightIndustryin19932006年被国家发改委授予and“ThemasterofChineseartsandcrafts”fromthe中国工艺美术大师称号NationalReformandDevelopmentCommissionin2006.就是从有历史记载的话tohistoricalrecords就是在那个陶庵梦忆里面AccordingtotheTaoyanDream明代的游记里面有记载whichisatravelnoteofMingDynasty,theWuxiclay那么也有四百多年figurineshaveahistoryoffourhundredyears但是我们最近也有各个方面的信息返回However,wehaveallaspectsoftheinformationback就是在潮州的浮洋theirfamilyhistoryrecordsthat他们的家族史里面他那里也搞泥人theymakeclayfigurinesinFuyang,Chaozhou80跟咱们无锡差不多TheirclayfigurinesaresimilarwithWuxi’s但风格不一样exceptthedifferentstyle他们家族记载是八百多年Hesaid,onthebasisoftheirfamilyhistory他就说八百多年前无锡惠山anoldartistwenttoHuishanWuxi有老艺人流浪到那留下来的foreighthundredyearsago,andleftthiscraft那么从这样来看的话呢Sofromthispointofview就是说明我们无锡的泥人ourWuxiclayfigurineshaveexistedmorethan不止四百多年fourhundredyears.作为惠山泥人的继承者asthesuccessorofHuishanclayfigurines喻湘涟在谈及惠山泥人的起源时YuXianglian,isratherobjectivewhentalkingabout90颇为客观theoriginofHuishanclayfigurines少了民间的神话传说Nofolkmythsandlegends凸显出来的是饱经岁月的历史进程onlythehistorywithtumultuouschanges北方来讲以天津为主的话呢Inthenorthernarea,mainlyinTianjin它那个泥人thedifferencesbetweenthe跟我们泥人的区别在哪里twoclayfigurinesareasbellows:
第一个我们就讲的是地域区别Firstly,thegeographicaldistinctionmeansthat第一个区别就是说thepeopleinsouthern它在北方咱们在南方aredelicate那么南方人比较秀气hilethepeopleinthenorthern100北方人比较粗犷rough第二个区别就是粘土的区别Theseconddifferenceistheclay土质不一样Different我们这里是黑土oursisblack泥种不一样那么里面泥土的性质Differentmudhasdifferentnature它的质地也不一样andtexture那么在天津泥人张当中的泥土呢ThesoilwhichusedbyClayFigurineZhanginTianjin就没那么(韧)istough它只能做雕塑andcanbemadeintosculptures做手捏戏文玩不起来butcannotbepinchingclayfigurines110它很细很细Thesoilisverythin手伸出来这里要断掉或者下沉andeasytobreakorsink我们这里的泥土就不会Oursoilwillnothavethissituation这是泥土的差别thatisthedifference还有一个呢Anotherdifferenceisthat就是我们无锡惠山是地域泥人oursaregeographicalclayfigurines什么叫地呢Asforthegeographical一群人能代表一个民俗agroupofpeoplerepresentsafolk它不是一家它是一个地区butnotahome最新形成的时候在明代的时候itisanewformedregionintheMingDynasty120有的在清代的乾隆期间IntheQianlongperiodoftheQingdynasty它有一百多家的人在做泥人ithadmorethanahundredpeopletodotheclayfigurine那么它作为地域泥人地区的泥人Asgeographicalclayfigurines不像天津泥人张是张家的itisunlikeTianjinClayFigureZhang你看河南的也好还是哪里的也好TakeHenanandotherareaforinstance都是一家为主的一个整体的泥人theclayfigurinesadoptfamilystyle我们是地域泥人geographicalclayfigurines正因为它是地域泥人Becauseofthischaracteristic带来了也就是第四个区别bingsthefourthdifference带来了风格的多样化thegeographicalclayfigurineshavevariousstyles130那么我们无锡的粗货ourWuxicrudegoods跟其它地区的粗货也有不同isdifferentfromothercrudegoods我们是粗中求细Weinvolvefineandcrudetogether而且甜美粗中有细细中有粗andseekthesweetstyle它是这么个含义itosthismeaning所以说这是一点soitisthepoint还有一点Anotherpointisthat我们讲细货thefinegoods一个粗货一个细货itisdifferentfromthecrudgoods细货讲的手捏泥人手捏戏文thefinegoodsemphasizethehand-pinchingclayfigurines140它完全就是靠手工做theyarecompletelyhand-made手捏的hand-made用我们无锡话讲就是真本事吧andcanbecalledreallycapableinWuxiwords所以这是第四个区别soitisthefourthdifference还有一个区别就是说我们有行会Anotherdifferenceisguild因为我们是地域的文化becausethatistheregionalculture所以我们有行会就是泥耍货sowehavemudplayinggoods现在还有有那个地基在那里Therestillhavefoundation那么其它地区都没有的whichotherareasdonothave那么有些专家也讲Someexpertsalsosaidthat150无锡惠山泥人呢WuxiHuishanclayfigurines它是资产阶级的萌芽状态的一个典型isatypicalbourgeoisbud所以我们无锡泥人呢sothesearefourorfivedifferences跟其它地区有这么四五个区别betweenWuxiclayfigurineandotherregion.惠山泥人在喻湘莲手中YuXianglian’sclayfigurinesnotonlyhavethe不仅结合了上述传统特征traditionalcharactersmentionedabove喻湘莲更与时俱进率先将shekeepsthepacewithtimebeingthefirstto名贵紫砂与泥人艺术相结合introducethevaluablepurpleclayintothus创造出了以紫砂为creatingtheclayfigurinesart创造主题的惠山泥人clayfigurineswithpurpleclay160这一创新Thisinnovationbringsthebigsurpriseto令国内外喜好惠山泥人的domesticandforeignHuishanclayfigurines艺术收藏者眼前一亮loverswinningconsistentfavorofthe从技术到工艺internalandexternal都获得了行业内外的一致好评nomatterthetechniqueorcraft随着时代的发展Withthedevelopmentoftimes无锡惠山泥人HuishanclayfigurinesofWuxi和天津泥人张andtheClayFigurineZhangmadeinTianjin以其独特的地方文化特色hasformedWuxi,Tianjin,thenorthandsouth在中国历史上形成了无锡天津clayfigurineartinChinesehistory170这南北两大泥人艺术withtheiruniquelocalcultures作为当今惠山泥人的继承者AsthesuccessorofHuishanclayfigurines对于惠山泥人和天津泥人之间的Yuhasadeeperunderstandingoftechniquesand制作手法和艺术特征artisticfeaturesbetween有着深入的比较和理解HuishanclayfigurinesandClayFigurineZhang手捏戏文手捏戏文Hand-Pinchingclayfigurines顾名思义它就是用手捏的方法asthenamesuggestsitexpressesits来表达它的艺术形象artisticimagethroughhand-pinching就是从定义来讲就这么说fromthedefinition但是我们真正来讲它的最大特点butintermsofitsmostimportantfeature180它的表现的内容都是戏曲thatis,itsperformanceisopera它最大的优点来自于舞台Thebiggestadvantagecomesfromthestage不同于舞台anddiffersfromthestage它有个再创造的过程itisare-creationprocess那么技巧上的话它那比较快itisveryfastinskill快速的快一个技巧的快itisveryfastinskill还有一个技巧伸缩性Theotheristheskillscalability它达到一定程度itreachesacertainextent因为入手无悔Asitstartyoucannotregret它一下手就不改从头到尾一气呵成的190itmustbedoneincontinuousskill所以一个快一个伸缩性Anotherfeatureis还有一个自然性natural这两个字呢一个自然的流露anaturaloutpouring一个刻意的追求听听是简单的andadeliberatepursuitaresimple但是它包含了民间艺人的butitincludesthe修养问题在里面cultivationoffolkartists无锡惠山手捏戏文最大的优点是isthemostimportant自然自然的流露natural所以我觉得我们手捏泥人SoIthinktherearefourorfivefeaturesof它总体来讲有四五个特点hand-pinchingclayfigurinesintotal200
无锡泥人甜而不俗甜中有土味Theelegant,earthy,甜而不轻浮modestandlyricalsmellof这种沁人心扉的甜Wuxiclayfigurinescomefromthesweet来自于惠山赠与的黑色黏土andblackclaywhichoriginsfromHuishan更离不开泥人创作者多年的andshapedbytheskillsandlifedepositof积累与钻研clayfigurinecreators创作者们凭着淳朴的思想情感Theytrytofigureoutthemostprofound去理解最深刻最典型的形象andtypicalimagewithasimpleheart尽管艺人们受科学知识的局限Despitethattheyarelimitedbytheirscientific或不认识自己的艺术规律knowledgeortheexistingartisticrules210但他们却摆脱了解剖比例theclayfigurinecreatorspinchup透视结构等约束uniqueandvividartworkswiththeirownkindof充分运用自己的语言understandingsandgetridoftherestraintsof捏出了独特逼真的艺术形象dissection,proportion,perspective,structure,etc.而天津的“泥人张”彩塑作品Themostoutstandingdifferencebetweenthe主要使用“塑”的技法famousClayFigureZhangfromTianjinandclayfigures以使泥人各班角色形象逼真inHuishanisthecreatingmethodClayFigureZhang它与惠山泥人主要使用手捏技法issculpturedtoshowitsverisimilitudewhile有着风
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