Elizabeth Resnick - The Social Design Reader-Bloomsbury Visual Arts (2019).pdf
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Elizabeth Resnick - The Social Design Reader-Bloomsbury Visual Arts (2019).pdf
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THESOCIALDESIGNREADERThisbookisdedicatedtothememoryofmycolleague,mentor,andfriendAlbertJ.Gowan(19342017)ProfessorEmeritus,MassachusettsCollegeofArtandDesign,BostonAuthorof“VictorPapanek:
PathofaDesignProphet”THESOCIALDESIGNREADEREditedbyElizabethResnickCONTENTSAcknowledgmentsListofIllustrationsPrefaceSECTION1MAKINGASTAND:
ANEWSOCIALAGENDAFORDESIGN1IntroductionElizabethResnick2IsSocialDesignaThing?
CameronTonkinwise3SocialDesign:
FromUtopiatotheGoodSocietyVictorMargolin4migrCultureandtheOriginsofSocialDesignAlisonJ.ClarkeSECTION2CREATINGTHEFUTURE:
DEFININGTHESOCIALLYRESPONSIBLEDESIGNER1964995IntroductionElizabethResnick6FirstThingsFirstManifestoKenGarland7HereAreSomeThingsWeMustDoKenGarland8EdugraphologyTheMythsofDesignandtheDesignofMythsVictorPapanek9DesignasaSociallySignificantActivityCliveDilnot10DesignerlyWaysofKnowingNigelCross11TheFutureIsntWhatItUsedtoBeVictorPapanek12CommerceorCulture:
IndustrializationandDesignJohnHeskett13WickedProblemsinDesignThinkingRichardBuchanan14GoodCitizenship:
DesignasaSocialandPoliticalForceKatherineMcCoy15FeministPerspectives(DesignforSociety)NigelWhiteley16ThereIsSuchaThingasSocietyAndrewHoward17DesignandReflexivityJanvanToorn18DesignNoirAnthonyDunneSECTION3ASEACHANGE:
THEPARADIGMSHIFTFROMOBJECTSTOSYSTEMS20002019IntroductionElizabethResnick20FirstThingsFirst2000Manifesto21A“SocialModel”ofDesign:
IssuesofPracticeandResearchVictorMargolinandSylviaMargolin22TheDematerializationofDesignJorgeFrascara23WhyBeing“LessBad”IsNoGood(CradletoCradle)WilliamMcDonoughandMichaelBraungart24ClothesThatConnectKateFletcher25DesignsRoleinSustainableConsumptionAnnThorpe26TransformativeServicesandTransformationDesignDanielaSangiorgi27RethinkingDesignThinking:
PartILucyKimbell28RethinkingDesignThinking:
PartIILucyKimbell29DesignThingsandDesignThinking:
ContemporaryParticipatoryDesignChallengesErlingBjgvinsson,PelleEhn,andPer-AndersHillgren30FromDesignCulturetoDesignActivismGuyJulier31DecolonizingDesignInnovation:
DesignAnthropology,CriticalAnthropology,andIndigenousKnowledgeElizabeth(Dori)Tunstall32SocialDesignandNeocolonialismCinnamonJanzerandLaurenWeinstein33FuturisticGizmos,ConservativeIdeals:
OnSpeculativeAnachronisticDesignPedroJ.S.VieiradeOliveiraandLuizaPradodeO.Martins34PrivilegeandOppression:
TowardsaFeministSpeculativeDesignLuizaPradodeO.Martins35IsSustainableInnovationanOxymoron?
ElizabethB.-N.Sanders36SocialInnovationandDesign:
Enabling,ReplicatingandSynergizingEzioManzini37GlobalMethods,LocalDesignsAhmedAnsari38TheEmergingTransitionDesignApproachTerryIrwinListofContributorsFurtherReadingsIndexACKNOWLEDGMENTSThiscollectionofseminaltextssimplycouldnothavebeenpossiblewithouttheverygeneroussupportofallthecontributorstothiseffort:
AhmedAnsari,ErlingBjrgvinsson,GuiBonsiepe,ScottBoylston,MaxBruinsma,MichaelBraungart,RichardBuchanan,SharonBurdett,ValerieCasey,JonanthanChapman,AlisonJ.Clarke,NigelCross,SheilaLevrantdeBretteville,DecolonisingDesign,CliveDilnot,CarlDiSalvo,KeesDorst,AnthonyDunne,PelleEhn,JoostElffers,DavidEvans,TerenceFenn,KateFletcher,JorgeFrascara,AlastairFuad-Luke,NickGant,KenGarland,JohnHeskett,Per-AndersHillgren,JasonHobbs,StefanHolmlid,AndrewHoward,GordonHush,TerryIrwin,TimJackson,CinnamonJanzer,GuyJulier,LucyKimbell,IlpoKoskinen,DianaKrabbendam,KlausKrippendorff,KalleLasn,EzioManzini,VictorMargolin,KatherineMcCoy,WilliamMcDonough,IvicaMitrovic,ChantalMouffe,DavidOswald,Rev.NicolettePapanek/VictorPapanek,LuizaPradodeO.Martins,ElizabethB.-N.Sanders,DanielaSangiorgi,MichielSchwarz,AnnThorpe,CameronTonkinwise,Elizabeth(Dori)Tunstall,JanvanToorn,PedroVieiradeOliveira,LaurenWeinstein,andNigelWhiteley.Thereareafewindividualswhodeservespecialthanksfortheirencouragementandadviceduringthebookproject:
LisaAbendroth,FatimaCassim,AudraBuckColeman,AnnelysdeVet,ArielGuersenzvaig,TerryIrwin,JackieMalcolm,MassimoSantanicchia,andVictorMargolinforhispatiencewithmyquestionsandfrequentrequestsforadvice.Iamindebtedtomyeditor,RebeccaBarden,forgivingmethisuniqueopportunitytocreateTheSocialDesignReader.Iwishtothankhereditorialassistant,ClaireConstableforkeepingmeontrackandforallthesmallthingsshehelpedmewithduringthecourseofthisproject.And,Iamverygratefulandthankfultomyhusband,VictorCockburn,andmyadultchildren,AlexandElana,whoallenduredmydistractionandfrequentspellsofanxietywithencouragementandgrace.32.135.135.235.335.435.535.635.738.138.2ILLUSTRATIONSFIGURESASocialDesignActionMatrix.CinnamonJanzerandLaurenWeinstein2014TheshapeofthedesigndevelopmentprocesshaschangedwiththegrowthofalargefrontendTherolesthatdesignersplay(intheleftcolumn)andtherolesthatpeopleplay(intheright-column)havebeenchangingovertimeAframeworkfornavigatingthefuzzyfrontendofthedesigndevelopmentprocesswheretheproblemsarewickedandthelandscapeisfuzzyThefuzzyfrontendofdesignsitsintheintentionaldesignspaceTheparticipatoryprototypingcycle(PPC)isaframeworkforactionandamodelforco-creationindesignTheparticipatoryprototypingcycleinactionMaking,tellingandenactingtakeondifferentformsinthefuzzyfrontend,thegapandinthedesigndevelopmentprocessTheTransitionDesignFrameworkbringstogetherabodyofpracticesinfourkeyareasusefulindesigningforsystems-levelchangeTheemergingTransitionDesignapproachsuggeststhreephasescomprisedofreframingtheproblemanditscontextinthepresentandfuture,designinginterventions,thenobservinghowthesystem38.338.438.538.638.727.132.1responds.ThesebroadphasesaccommodateavarietyofpracticesandprocessestailoredtospecificproblemsandcontextsBackcastingfromaco-createdfuturevisioncreatesa“transitionpathway”alongwhichnewandexistingprojectscanbeconnectedandsituatedas“steps”inalongtransitiontowardthedesiredfutureTransitionDesigndrawsupontheconceptoftheMulti-LevelPerspective(Geels,2006)tosituateboththewickedproblemandafuture,lifestyle-basedvisioninalarge,spatio-temporalcontext.Thislargecontextisexploredinordertoidentifythemostpromisingpointsof“intervention”liewithinthislargecontextSpecificquestionscanbeaskedateachlevelinthepast,presentandfutureinordertoguideresearchandbringahigherleveloffidelitytothefuturevisionThepracticesabovearelistedintheTransitionFrameworkandcanbeespeciallyusefulindesigningsystemsinterventionswithinlarge,spatio-temporalcontexts(AC)AnoverviewoftheemergingTransitionDesignapproachispresentedusingseveralofthepracticesincludedintheFramework.ThesecanbeconfigureddifferentlyandappropriatelyfordifferentproblemsandsituationsTABLESDifferentWaysofDescribingDesignThinkingSelectedAppropriateResearchMethodsOrganizedbyMatrixQuadrantPREFACETheSocialDesignReaderisananthology1ofkeywritingswrittenoverthepastfifty-fiveyearsbyleadingproponents,researchers,andpractitionersshapingtheemergenceofsociallyresponsibledesignasaconcept,asanascentfieldofstudy,andasadevelopingdisciplinewithinprofessionaldesignpractice.Duringthepastthirty-fiveyears,therehasbeenatsunamiofbookspublishedonthesubjectofdesignexpoundingonitscriticalnature,itshistory,itstechnology,anditscontinuouslyevolvingcultureofprofessionalpracticeandsignificantpractitioners.Artanddesignlibraries(typicallyhousedincollegesanduniversities)havearchivedmanyoftheimportantinternationaldesignmagazinesandacademicjournalsfromtheearlytwentiethcenturytothepresentday.Withtheriseoftheinternetandthedemandforeasilyaccessibleresearchmaterialstobuildahistoryofdesigncultureandactivity,therehasbeenavigorousmovementtowardanthologizinghistoricallysignificanttextsandarticlespreviouslypublishedindesignmagazinesandacademicjournalsthataresimplynotaccessibletothepublic,asmanysuchpublicationsareeitherout-of-printorhousedinprivatelibrariesorcollectionsthatareveryexpensivetoaccess.Ananthologyisaboveall,acollaborativework.Myaimwiththiscompilationistobringtogetheragroupofauthenticvoicestheorists,scholars,writers,anddesignerswhoarebuildingacanonofinformedliteraturethatdocumentsthegenesisandrapiddevelopmentwithinthisfieldofstudy.Inconcert,thesetextsbuilduponthenotionthatsocialdesignisdesignwithaconscience,and,assuch,canhelpthereaderunderstandhowdesigncanbeemployedasacatalystforsocialchange.Editingananthologyofthisnaturecanbequiteadauntingtask,especiallyforsomeonewithoutexperienceinthisgenreandformat.Therearemanyrestrictionswhenframingacompilationofthiskind:
contractedwordcount;thestringencyofacademicpermissionfeebudgets;theavailabilityofkeytexts;andtheensuingeconomicandphysicalchallengetogainpermissiontorepublishthem.Anothercontributingfactortotheframingofthisanthologyisitsbiasforlanguagepreferencethedecisiontocollecttextswritten(ortranslated)inEnglish(theeditorssolelanguage)whichimpedesawidervarietyofwritingfromalterativeeconomic,cultural,orpoliticalperspectives.2Allpivotalcriteriathatcontributedtotheselectionofwhattextstopublish.Thecrucialadvantagetothistypeofanthologyisitsabilitytofeaturetextsemphasizingthetheoreticalanddiscursivedialoguethreadsfrommultipleperspectivescurrentwithinmainstreamacademicandprofessionaldiscourse,andthosefromthemarginsofthestatusquo.ThetextswerereproducedastheyhadbeenfirstpublishedwrittenineitherBritishEngli
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- Elizabeth Resnick The Social Design Reader-Bloomsbury Visual Arts (2019) Reader Bloomsbury 2019
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